Edited the feature film Bokeh. In addition to the picture edit, I post-produced the finishing, from audio mix at Skywalker Sound, through VFX, to color grade, and delivery to Screen Media Films.

Bokeh premiered in competition at the Santa Barbara International Film Festival and was released theatrically in New York, Los Angeles, Chicago, Dallas, Philadelphia, Toronto, and San Francisco. The film is currently available on iTunes, Amazon Prime, Netflix, Google Play, and On-Demand.

LOGLINE

When a flash of light shoots across the sky on their romantic Iceland vacation, Jenai (Maika Monroe) and Riley (Matt O’Leary) wake up to discover every person on earth has disappeared. Their struggle to survive and to reconcile the mysterious event lead them to reconsider everything they know about themselves and the world.

Reception

In his review in Variety, Dennis Harvey called out the the film’s lively editing.
Nominated for the Panavision Spirit Award for Independent Cinema at the Santa Barbara International Film Festival.
Premiered in the Top 50 films on iTunes opening weekend.

I edited the feature film I Don’t Want To Drink Your Blood Anymore (2023). In addition to narrative edit, I designed and supervised the post-production pipeline, coordinating VFX, audio mix, and color grade. 

Miki Ishikawa (The Falcon And The Winter Soldier, The Terror) Sierra McCormick (American Horror Stories, The Vast Of Night) and Nick Sagar (Princess Switch, Run The World) star in the indie drama-horror from writer/director Andrew Sullivan.

LOGLINE

The film follows Eiko (Miki Ishikawa), a vampire suffering from agoraphobia caused by the trauma on the night her family was murdered and she was turned. Unable and unwilling to leave her family’s home, she not only loses track of time, but time itself. Eiko spends most of her life trying not to be a vampire, trying not to engage with others, but the world won’t leave her alone.

Production

Managed on-set editorial prep in Massachusetts.
Picture editorial in Philadelphia, Summer 2022.
Post-producing and managing finishing, Fall 2022.

Extensive editorial work in brand stories, web series, and corporate marketing. Additional work in social media and sharing-optimized content.

Clients include:

Extensive experience in 2D motion graphics, animation, and visual effects.

Clients include:

Previously Monochromatika supervised the post-production of the Smithsonian Institution's multi-screen film Ocean Odyssey, part of a four-year project creating a permanent installation at the National Museum of Natural History in Washington D.C.

We have also worked extensively on promotional campaigns for a variety of clients.